was one of the most significant and original Flemish painters of the late 15th century. Van der Goes was a painter of altarpieces as well as portraits. Attribution of his work has been difficult for art historians. The originals of a large portion of van der Goes's works have been lost. The painter Gerard David and the assistants in his workshop clearly took their inspiration from Hugo.
Portrait of an Old Man, ca. (1470–75)
Original, MET-NY. Visited in 2017-2020.
Portrait of an Old Man, ca. (1470–75)
A Benedictine Monk, ca. (1478)
Original, MET-NY. Visited in 2017-2020.
A Benedictine Monk, ca. (1478)
Diptych with the Fall of Man and Salvation, c. (1470-5)
Original, Kunsthistorisches Museum Vienna. Visited in 2017-19.
Diptych with the Fall of Man and Salvation, c. (1470-5)
„Saint Genoveva“,after (1480).
Original, Kunsthistorisches Museum Vienna. Visited in 2017-19.
Hugo van der Goes or a member of his circle - The virgin and child with Saint Thomas, John the Baptist, Jerome,and Louis, c.(1475)
Original, Art Institute of Chicago. Visited in 2018.
Hugo van der Goes or a member of his circle - The virgin and child with Saint Thomas, John the Baptist, Jerome,and Louis, c.(1475)
Follower of Hugo van der Goes - Virgin and Child, c. (1485)
Original, The National Gallery - London. Visited in 2018-19.
Follower of Hugo van der Goes - Virgin and Child, c. (1485)
The Adoration of the Kings,(Monforte-Altar), c. (1470)
Original, Staatliche Museum in Berlin, Gemäldegalerie. Visited in 2018.
The Adoration of the Kings,(Monforte-Altar), c. (1470)
The Adoration of the Shepherds, c. (1480)
Original, Staatliche Museum in Berlin, Gemäldegalerie. Visited in 2018.
The weeping of Christ, c. (1480)
Original, Staatliche Museum in Berlin, Gemäldegalerie. Visited in 2018.
