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Goya, Self-Portrait in a Cocked Hat, 1790
Goya, Self-Portrait in a Cocked Hat, 1790
Goya, Plate 1 from Los Caprichos; Self-Portrait;1799
Goya, Plate 1 from Los Caprichos; Self-Portrait;1799
Goya, Plate 3 from Los Caprichos, Here comes the bogey-man, (Que viene el Coco), 1797-1798
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Plate 3 from Los Caprichos, Here comes the bogey-man, (Que viene el Coco), 1797-1798
Goya, Plate 8 from Los Capricho; They Carried Her Off! (Que se la llevaron!), 1797-1798
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Plate 8 from Los Capricho; They Carried Her Off! (Que se la llevaron!), 1797-1798
Goya, Los Caprichos, Plate 10; Love and Death (El amor y la muerte), 1797-1798
Original, Brooklyn Museum, New York. Visited 2017-2025.
Goya, Los Caprichos, Plate 10; Love and Death (El amor y la muerte), 1797-1798
Goya, Los Caprichos, Plate 12; Out Hunting for Teeth (A caza de dientes), 1797-1798
Original, Brooklyn Museum, New York. Visited 2017-2025.
Goya, Los Caprichos, Plate 12; Out Hunting for Teeth (A caza de dientes), 1797-1798
Goya, Plate 17. from Los Caprichos; It is nicely stretched (Bien tirada está.) 1797-98
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Plate 17. from Los Caprichos; It is nicely stretched (Bien tirada está.) 1797-98
Goya, Los Caprichos, Plate 24; Nothing Could Be Done About It (Nohubo remedio), 1797-1798
Original, Brooklyn Museum, New York. Visited 2017-2025.
Goya, Los Caprichos, Plate 24; Nothing Could Be Done About It (Nohubo remedio), 1797-1798
Goya, Los Caprichos, Plate 24; Nothing Could Be Done About It (Nohubo remedio), 1797-1798
Goya, Plate 26 Los Caprichos; They've Already Got a Seat (Ya tienen asiento), 1797–1798
Original, Brooklyn Museum, New York. Visited 2017-2025.
Goya, Plate 26 Los Caprichos; They've Already Got a Seat (Ya tienen asiento), 1797–1798
Goya, Los Caprichos, Plate 39; And So Was His Grandfather (Asta su abuelo), 1797-1798
Original, Brooklyn Museum, New York. Visited 2017-2025.
Goya, Los Caprichos, Plate 39; And So Was His Grandfather (Asta su abuelo), 1797-1798
Goya, Los Caprichos, Plate 43; The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos), 1797-1798
Original, Brooklyn Museum, New York. Visited 2017-2025.
Goya, Los Caprichos, Plate 43; The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos), 1797-1798
Goya, Los Caprichos, Plate 48; Tale-Bearers, or Blasts of Wind, plate 48 from Los Caprichos, 1797-99
Original, Art Institute of Chicago. Visited in 2018.
Goya, Los Caprichos, Plate 48; Tale-Bearers, or Blasts of Wind, plate 48 from Los Caprichos, 1797-99
Goya, Plate 52 from Los Caprichos; What a Tailor can do! (Lo que puede un sastre!), 1799
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Plate 52 from Los Caprichos; What a Tailor can do! (Lo que puede un sastre!), 1799
Goya, Plate 52 from Los Caprichos; What a Tailor can do! (Lo que puede un sastre!), 1799
Goya, Plate 56 from Los Caprichos; To Rise and Fall, 1799
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Plate 56 from Los Caprichos; To Rise and Fall, 1799
Goya, Plate 56 from Los Caprichos; To Rise and Fall, 1799
Goya, Los Caprichos, Plate 68; Pretty Teacher! (Linda maestra!), 1797-1798
Original, Brooklyn Museum, New York. Visited 2017-2025.
Goya, Los Caprichos, Plate 68; Pretty Teacher! (Linda maestra!), 1797-1798
Goya, Los Caprichos, Plate 69; Blow (Sopla), 1799
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Los Caprichos, Plate 69; Blow (Sopla), 1799
Goya, Los Caprichos, Plate 72; You Will Not Escape (No te escarparas), 1797-1798
Original, Brooklyn Museum, New York & Art Institute of Chicago. Visited 2017-2025.
Goya, Los Caprichos, Plate 72; You Will Not Escape (No te escarparas), 1797-1798
Goya, Plate 2. from The Proverbs; Do Not Lose Honour through Fear, c. 1813-20
Original, Brooklyn Museum, New York & El Prado. Visited 2017-2025.
Goya, Plate 2. from The Proverbs; Do Not Lose Honour through Fear, c. 1813-20
Goya, Plate 2. from The Proverbs; Do Not Lose Honour through Fear, c. 1813-20
Goya, Plate 3. from The Proverbs; Ridiculous Folly, c. 1819-24
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Plate 3. from The Proverbs; Ridiculous Folly, c. 1819-24
Goya, Plate 4. from The Proverbs; After Vice Comes Fornication,c. 1819-24
Original, Brooklyn Museum, New York. Visited 2017-2025.
Goya, Plate 4. from The Proverbs; After Vice Comes Fornication,c. 1819-24
Goya, Plate 10 from The Proverbs; A Woman and a Horse, Let Someone Else Master Them, c. 1819-24
Original, Brooklyn Museum, New York & Art Institute of Chicago. Visited 2017-2025.
Goya, Plate 10 from The Proverbs; A Woman and a Horse, Let Someone Else Master Them, c. 1819-24
Goya, Plate 11 from The Proverbs (Disparate Pobre); Poor folly Two Heads Are Better Than One, c. 1819-24
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Plate 11 from The Proverbs (Disparate Pobre); Poor folly Two Heads Are Better Than One, c. 1819-24
Goya, Plate 13 from The Proverbs; Where There's a Will There's a Way (A way of Flying), 1813-20
Original, Brooklyn Museum, New York & Art Institute of Chicago. Visited 2017-2025.
Goya, Plate 13 from The Proverbs; Where There's a Will There's a Way (A way of Flying), 1813-20
Goya, Plate 12 from The Art of Bullfighting; The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms, 1815-1816
Original, Brooklyn Museum, New York & Art Institute of Chicago. Visited 2017-2025.
Goya, Plate 12 from The Art of Bullfighting; The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms, 1815-1816
Goya, Plate 18 from The Art of Bullfighting; The Daring of Martincho in the Ring at Saragossa, c.1815–16
Original, Brooklyn Museum, New York & Art Institute of Chicago. Visited 2017-2025.
Goya, Plate 18 from The Art of Bullfighting; The Daring of Martincho in the Ring at Saragossa, c.1815–16
Goya, Plate 20 from The Art of Bullfighting; The Agility and Audacity of Juanito Apiñani in the Ring at Madrid, c. 1815–16
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Plate 20 from The Art of Bullfighting; The Agility and Audacity of Juanito Apiñani in the Ring at Madrid, c. 1815–16
Goya, Plate 21 from The Art of Bullfighting; “Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Terrejon,” 1815–16.
Original, Brooklyn Museum, New York & Art Institute of Chicago. Visited 2017-2025.
Goya, Plate 21 from The Art of Bullfighting; “Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Terrejon,” 1815–16.
Goya, Plate 27 from The Art of Bullfighting; The celebrated picador Fernando del Toro draws the fierce beast on with his pique, c.1815–16
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Plate 27 from The Art of Bullfighting; The celebrated picador Fernando del Toro draws the fierce beast on with his pique, c.1815–16
Goya, Plate 1. from The Disaster of War; Sad forebodings of what is going to happen, 1810-1813
Original, Brooklyn Museum, New York. Visited 2017-2025.
Goya, Plate 1. from The Disaster of War; Sad forebodings of what is going to happen, 1810-1813
Goya, Plate 5. from The Disaster of War; And They are Fierce (Y son fieras), 1810-14
Original, Brooklyn Museum, New York. Visited 2017-2025.
Goya, Plate 5. from The Disaster of War; And They are Fierce (Y son fieras), 1810-14
Goya, Plate 7. from The Disasters of War; What Courage!, 1863
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Plate 7. from The Disasters of War; What Courage!, 1863
Goya, Plate 15 from The Disaster of War; Prisoners executed by firing squads, reminiscent of The Third of May 1808
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Plate 15 from The Disaster of War; Prisoners executed by firing squads, reminiscent of The Third of May 1808
Goya, Plate 17. from The Disaster of War; They Do Not Agree,1810-1820
Original, Brooklyn Museum, New York. Visited 2017-2025.
Goya, Plate 17. from The Disaster of War; They Do Not Agree,1810-1820
Goya, Plate 26. from The Disaster of War; You Can Not Look (No se puede mirar.),,1810-20
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Plate 26. from The Disaster of War; You Can Not Look (No se puede mirar.),,1810-20
Goya, Plate 27 from The Disaster of War; Charity (Caridad), 1810
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Plate 27 from The Disaster of War; Charity (Caridad), 1810
Goya, Plate 36. from The Disaster of War; 'Not [in this case] either.' (Tampoco.), 1810
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Plate 36. from The Disaster of War; 'Not [in this case] either.' (Tampoco.), 1810
Goya, Plate 79. from The Disaster of War; The True Has Died (Murio la verdad), 1810-1814
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, Plate 79. from The Disaster of War; The True Has Died (Murio la verdad), 1810-1814
Goya, plate 80. from The Disaster of War; Will she rise again (Si resucitará), 1863
Original, Brooklyn Museum, New York & Metropolitan Museum. Visited 2017-2025.
Goya, plate 80. from The Disaster of War; Will she rise again (Si resucitará), 1863
Goya, General Nicolas Philippe Guye, 1810
Goya, General Nicolas Philippe Guye, 1810
Goya, Portrait of Martín Zapater, 1790
Original, Museo de Arte de Ponce, Puerto Rico. Visited in 2025.
Goya (Francisco de Goya y Lucientes), Portrait of a Bullfighter, c. 1797
Original, Uffizi Gallery, Florence. Visited in 2024.
Goya (Francisco de Goya y Lucientes), Portrait of a Bullfighter, c. 1797
Goya, Plate 27 from The Art of Bullfighting; The celebrated picador Fernando del Toro draws the fierce beast on with his pique, c.1815–16
Goya Lucientes, Attacks a stagecoach
Goya, Hospital on fire, ca. 1808-12
Goya, Plate 27 from The Art of Bullfighting; The celebrated picador Fernando del Toro draws the fierce beast on with his pique, c.1815–16
Goya, Hospital on fire, ca. 1808-12
Goya, Flagellants Scene, ca. 1808-1812
Goya, Flagellants Scene, ca. 1808-1812
Goya, War scene, 1808-1812
Goya, War scene, 1808-1812
Goya, Plate 4 from The Disasters of War, The women give courage
Goya, Plate 6 from Los Caprichos, Nobody knows himself, 1799
Goya, Plate 38 from The Disasters of War, Barbarians!
Goya, Plate 53 from Los Caprichos, What a golden beak!, 1799
Goya, Plate 65 from The Disasters of War, What is the hubbub
Goya, Plate 77 from The Disasters of War, Charlatans’ Show
Goya, Plate 77 from The Disasters of War, Charlatans’ Show
Goya, Plate 77 from The Disasters of War, 'May the cord break', 1814–15
Goya, Plate 77 from The Disasters of War, 'May the cord break', 1814–15